Can We Briefly Discuss Shiv’s Wardrobe on This Season of Succession?

The HBO series Succession is a font of many things—intrafamilial subterfuge, swearing, inventive new ways to permanently damage the people around you—but the show’s attention to fashion has always been one of its most notable elements, from wannabe cool guy Kendall Roy’s expensive baseball hats to beleaguered lawyer Gerri Kellman’s signature blazers and pearls. Nobody on Succession was more fashionable (or more carefully costumed), though, than the scheming, dissatisfied youngest daughter, Shiv—until this season, at least.

To be fair, Shiv’s style has been consistently evolving. In a 2019 New Yorker article, Rachel Syme wrote of the character’s season-two look: “Turtleneck sweaters and high-waisted slacks have rarely looked so ruthless.” As Syme notes, even then Shiv occasionally looked “more like a recent law-school graduate in a midsize firm than a big shot prepared to take over an empire,” but season three ushered in a new low—or was it a new high for Shiv-related sartorial discourse? Suddenly, Shiv’s suits were cheap looking; her dresses for big, important events were oddly fitted; her entire sartorial sense of self seemed to be hanging by a thread. Ironically, Sarah Snook, the actress playing Shiv, looked better than ever, but her costuming appeared to be fighting her at every turn.

As fashion is not my forte (I am, famously, but a humble culture writer), I called upon Vogue’s fashion news editor, Sarah Spellings, to help me interpret what this change in Shiv’s style could mean. “Succession normally does a great job with rich-people fashion. Just look at Caroline [Collingwood, the Roy siblings’ haughty English mother] wearing a textured coat over pants to her wedding! Or Kendall’s Loro Piana hat. There’s not a ton of logos—it’s not flashy (normally, save for Kendall’s birthday Gucci bomber),” Spellings notes. “In past seasons, Shiv wore wide-leg trousers and turtlenecks that made her look powerful, put together, and, most importantly, casually superrich. This season, she looks like she’s trying harder as she’s struggling for power and in uncomfortable positions. For the most part, that comfort and ease is gone and she looks less comfortable in her clothes.”

It would be simplistic to think that Succession’s costume designer, Michelle Matland, didn’t have a specific and thought-out plan for Shiv’s wardrobe this season. (After all, nothing on TV happens by accident.) But even allowing for the possibility that Shiv was supposed to look uncomfortable as she grasped for control of her family empire—and finally ascended to a position of real power at Waystar Royco, despite being constantly diminished by her father, her brothers, and pretty much everyone else around her—the shift in her wardrobe still felt jarring.

“It all started with that terrible little black bag they had her carrying in the first episode of season three,” opined Vogue contributing editor Laia Garcia-Furtado. “She accessorizes unnecessarily, her suits are matronly and bad, and I don’t see Shiv shopping for these clothes herself, but I can’t imagine someone shopping for her and bringing these things back and her approving them. It’s like she’s cosplaying as a rich businesswoman who did a business and failing.”

Ultimately, maybe it doesn’t matter whether season-three Shiv is (a) a woman slowly coming undone whose internal turmoil is metaphorically symbolized by her increasingly off-kilter clothes (b) a clueless rich lady who doesn’t actually know what looks good on her or (c) some combination of the above. After all, in the final episode of the season, Shiv is potentially betrayed by her long-suffering husband, Tom, all while he’s clad in a light, flawless, Italian-vacation suit that seems like nothing so much as an antidote to all of Shiv’s weirdly fitted, chromatically off suiting this season. Who knows where we’ll meet her and Tom in season four? All we can do is hope against hope that it’s somewhere marginally more stylish—but, then again, who are we to negotiate against Shiv’s glow-down? After all, isn’t the definition of a good TV outfit one that gets people talking?

Why Jennifer Coolidge Credits Ariana Grande for Her Career Revival

It’s easy to toss fashion out the window when temperatures plummet. It’s hard to deliver a look when the brisk air feels like knives against your skin! Generally, a giant puffer coat is the sign of fashionable defeat. It doesn’t matter how fabulous the outfit beneath is, a matte black, ankle-length puffer rarely has you feeling your most stylish. But, it turns out you can be both snuggly and formal this winter—at least, that’s what celebrities are proving. Stars like Rihanna, Irina Shayk, and Bad Bunny have all elevated their puffer coats by choosing styles in unexpected colorways or silhouettes.

Sure, we’ve seen high-fashion puffers on the runways for a few years now. Remember Balenciaga’s fall 2016 collection, where a red puffer was paired with a bejeweled turtleneck? Until now, though, that juxtaposition between formal and sport seemed more editorial than wearable, but today’s stars are bringing the idea to the streets. Earlier this month in New York, Rihanna emerged in a color-blocked puffer coat with faux fur trim. It was a statement coat on its own, but she elevated it even further with a pair of metallic Balenciaga boots. Shayk offered a minimal take. Her long, voluminous puffer coat was offset by her more tailored pants and sleek, discreet sneakers.

Puffers in fun, unexpected colors have also been a hit with celebrities. Both Kim Kardashin and Billie Eilish have favored long, puffy coats in a deep crimson color. Bad Bunny wore a mint puffer coat to the American Music Awards this month, proving a pastel style can even be red carpet-ready. Lil Nas X, meanwhile, performed at the iHeart Jingle Ball wearing a metallic pink puffer coat and pleated skirt—giving it more of a theatrical twist.

It goes to show that the puffer really is this season’s pair-with-anything coat. It adds a more sporty, casual touch to virtually any ensemble—so just be sure to pair it with more high-fashion accessories or refined clothing, to replicate that true A-lister feel.

Below, more stars who have nailed the dressy puffer coat.

Reebok Teases Collaboration with Netflix Series La Casa de Papel

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Reebok and Netflix break-out series La Casa de Papel announce an upcoming capsule collection that is made for the revolution.

The cult-favorite series, also known as Money Heist in the US, will release Part 5 Volume 2 this Friday, December 3rd. To keep the revolution going after the series ends, La Casa de Papel teamed up with sportswear brand, Reebok, to create a footwear and apparel collection to equip fans with the essential gear needed to complete their mission.

The Reebok x La Casa de Papel collection will be unveiled in 2022. To stay up to date on the latest regarding this partnership please visit www.reebok.com/la_casa_de_papel.

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Frank Helmer Seeks Out Founder of 80s Tees for Cobra Kai

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Founder of 80s Tees, Kevin, was fortunate enough to play a small role in the production of Cobra Kai season one (back when it was on Youtube!) thanks to the costume designer Frank Helmer seeking him out for some assistance. Frank was gracious enough to answer some questions about himself and his job.

Q: How did you get started / Did you know you wanted to go into costume design / Did you have a big break?  (basically give your origin story going as far back as you think is relevant)

A: I moved to LA from Seattle shortly after college to follow the dream of working in film and television. I had been designing a small line of clothing when I met a couple of indie film directors and producers while I was volunteering at the Seattle International Film Festival. One of them suggested I do the costumes for their friend’s student film and I jumped at the opportunity. I then spent the next few weeks sleeping on my friend’s couch and doing my first film. I was hooked!  Six months after that I moved to Los Angeles and began working every possible job in the industry I could find. There’s an old adage in Hollywood that it takes ten years to have your “overnight” success. Which means there’s generally ten years of hard work and dedication on the way to getting the big break that brings you to the attention of the world. Working in the entertainment industry is a marathon and you have to love what you do and keep at it with a good attitude and a lot of perseverance.

Q: How did you get the Cobra Kai job?

A: Cobra Kai came to me through my favorite producers to work with. When they asked if I had any interest in reading the script for a new Karate Kid series starring the original actors, I mean, how could I say no? Aside from the fan buy in me, they have gathered a really great “film family” and we have done a number of shows together so it was a no-brainer.

Q: What kind of hours do you work?

A: TV production hours can be grueling!  A typical day is usually 14 hours long and I usually start at 5 am with a slate of fittings for the day’s work, run over to approve how the background actors are dressed, step onset to establish any new looks that are being filmed for the first time, dash over to the stunt unit to make sure the stunt doubles are matching the actors, read the next script, work on my research and inspiration boards for the next episode and then back into another round of fittings. It’s a lot of work but I love it.

Q: Do you watch the filming to make sure you like the end results of your choices?

A: Always. I am there every time a new outfit goes to camera making the final adjustments. After that my amazing on-set crew maintain the looks for the duration of the shoot.

Q: Were you a Karate Kid movie fan prior to getting the job?

A: I am a big fan of the originals! I grew up with them as a kid and when I got the call to meet on season one I could not have been more excited.

Q: How many times did you watch the original movies in preparation for this job?

A: Each season is loosely inspired by one of the originals so in preparation I will watch each one in its entirety again and then as we are shooting, I’ll dip in and watch specific scenes if there’s a particular easter egg I’m planning or something I want to reference. In Season 4 for example there are a lot of details I pulled and referenced from Karate Kid 3 that will be really fun for fans to discover.

Q: How long do you have to prepare before an episode airs?

A: I have roughly 7 days to prep each new episode while we are shooting. We shoot each episode in 11 days on average and I am prepping and fitting for the next one while we are shooting the current one. Once we are done shooting the whole season, the showrunners go into post-production mode and will spend around 6 months or so editing before the season is released.

Q: How much interaction do you have with the cast?

A: I work very closely with all the cast.  I am in every fitting and am on set every time a new outfit is worn for the first time to make sure everything is exactly how it should be. One thing I love about what I do is the collaborative nature of creating and enhancing the characters through their costumes so I always present my character research inspirations and love to discuss any ideas or insights they may have. 

Q: With something as iconic as the Cobra Kai name/logo, are there levels of approvals you have to get before doing any updates?

A: Some things you just don’t mess with. To fundamentally change the Cobra Kai snake logo or the Miyagi-do tree and rising sun would never be considered. However, in Season 4 I got to do a very exciting collaboration with a big sportswear brand that gave me the opportunity to really expand on the look and style of the Cobra Kai. For that the producers gave me a lot of freedom to interpret the classic CK aesthetic knowing that I would fully respect the integrity of the classic logo. 

Q: How much say do the cast members have in what they wear (I read that Billy didn't think his character would wear a particular band shirt)? 

A: This goes back to the collaborative nature of character creation. Billy and Ralph know these characters so intimately that when a choice isn't quite exactly spot on, they speak up and I love it. The band tee is a really good example. I got a great vintage Jane’s Addiction concert tee and even though Billy and I both love the band and it was from a concert in the late ’80s, we were going back and forth about whether or not Johnny Lawrence would have been a fan and gone to that concert. We decided that it was a little too cool for Johnny and so we cut the tee because it wasn’t the best reflection of the character. 

Q: How has your status been affected by the increased exposure that has come with the move to Netflix?

A: What’s been incredibly gratifying has been the global response to the show. I get messages and questions from fans all over the world and have even been told that our show has hugely boosted the number of kids taking up karate. It’s great to be part of a hit show and it’s even better that we are bringing so much joy.

Q: What is your dream job of any kind?

A: Design-wise I’d really love a post-apocalyptic show or a story set in the near or distant future like Blade Runner, Mad Max, Ready Player One, Brazil, or Fifth Element. Getting to imagine what the world and society look like in an unknown future would be a thrill.